International Design Week é o próximo evento promovido pela Escola de Comunicação, Artes e Indústrias Criativas (ECAIC) do ISEC Lisboa. No âmbito do programa de mobilidade Erasmus+ para fins de docência, a semana será conduzida por professores internacionais que partilharão os seus conhecimentos combinando a teoria e a prática através de talks e workshops na área do design. O evento, que decorrerá de 26 a 28 de novembro, tem como foco a internacionalização e oferece à comunidade académica a oportunidade de adquirir conhecimentos e know-how na área da indústria gráfica.
As atividades serão dirigidas a todos os interessados, não só na área do design, mas também noutras áreas criativas.
Todas as atividades carecem de inscrição. Os participantes receberão um certificado de participação após o evento.
| November 26th |
|
|
|
11h00 - 13h00
|
|
History of paper and the state and future of the paper industry
Gabriella Oroszlany, Óbuda University, Hungria
Laszlos Koltai, Óbuda University, Hungria
Workshop: Paper folding as a source of inspiration
In the workshop you will be able to worl with different types of paper: from basic folding and basic shapes to study models as inspiration.
Room: PRL1
|
| November 27th |
|
|
| 08h00 - 11h00 |
|
The evolution of paper folding technology
Gabriella Oroszlany, Óbuda University, Hungria
Laszlos Koltai, Óbuda University, Hungria
Workshop: Paper folding technology. Work with different types of paper: from basic folding and basic shapes to study models as inspiration.
|
| November 28th |
|
|
| 10h00- 11h00 |
|
Beyond Graphics
Carlo Nannicola, Academy of Fine Arts of L’Aquila, Itália
The role of graphics as a creative process aimed at communicating meaning, beyond the traditional idea of simple image creation and instead considering graphics as a means of communication for conveying messages and concepts.
Room: B13
|
| 11h00-12h00 |
|
The Luxury Edition a Mixture of Ancient Tradition and Contemporary Research
Gianluig Bellucci, Academy of Fine Arts of L’Aquila, Itália
Comparing different attitudes towards the author’s book and prestigous books. Similarities and differences between the author’s graphics contained in books and the relationship with the written word.
Room: B13
|
| 12h00-13h00 |
|
The Italian Screenprinting, A Story With a Happy Ending
Daniel Tummolillo, Academy of Fine Arts of L’Aquila, Itália
The practical and graphic aspects of Italian artists screenprinters, how this technique has developed over the years. Compare teaching, research and development techniques in the context of disciplines relating to graphic art.
Room: B13
|
